eia alumni Nicole Rademacher is organizing an online exhibition titled “home”, which also includes the work of another alumni Brandon Barr. Along with adjunct instructor of drawing and painting Hope Zaccagni, and many others around the world. The show opens today September 1st, 2020, you can see the exhibition here http://acogedor.space/gallery/.
When hearing the word “home” we often think of the place where we reside. When the “Shelter-At-Home” orders came in throughout the country and world, many of us found ourselves adapting to a new way of living where we did pretty much everything (i.e. sleeping, working, eating, pooping, loving…) from a single place––for some, a single room. The home became a place of both respite and stress, leaving us with the necessity to find new ways to be at home.
Interested in exploring the shifting nature of home, Acogedor invited submissions from artists worldwide across mediums––artists who identify as BIPOC or from historically marginalized backgrounds were especially encouraged to apply. The exhibition is the first for Acogedor, which had previously only hosted intimate events, and it serves as a launching pad for more activities online––shifting from inviting people into her home (artist Nicole Rademacher) to bringing art and conversation to your homes via the internet.
All of the work in the exhibition has been created during quarantine (since March 16, 2020). Each artist examined their relationship to their abode as well as the social isolation that ensued with being confined to their residences. The lived experiences of 42 artists spanning 5 countries have been chosen to show and explore the diverse experiences that each of us is experiencing in this, certainly, bizarre new world.
My thesis work investigates the borderlands between material space(time) and electronic space(time). What spaces — real or virtual — are we in, and how do ways of image-making inform our concepts of them? My work exists in both electronic and physical space, pointing to the existence of a larger space(time) manifold encompassing both. Using light reflection and refraction, ferrofluid, water, lasers, and glass, I develop experimental video and animation techniques in order to expand into new ways of seeing.
Congratulations Gongzhuo Wang! See more of Gongzhuos work on her website.
I’m a Printmaker, Video Artist, and Graphic Designer. In the past few years, I explored the relationship between nature through living things, human behavior, and technology.
Expressions of the natural world, which are based on diverse natural materials and forms, model a particular way to compose the work in my thesis. I combined material references to humanity and nature to explore their intimate connections. In this artistic journey, finding an individual language to deeply analyze the different significance that each form of life brings into this world is the compelling part of these investigations.
Drawn to inspiration from two natural forms “animals” and “plants,” has inspired me to re-recognize art, and allowed me to open a way to feel the real situation between how humans coexist with nature. Nature is under pressure by widespread human exploitation, making the existence of natural life more precious than ever before. This way, the concepts of reality and disappearance need our reflection to respond to global climate change and the loss of nature as we have known it.
During these two years, the surrounding natural environment of Alfred has given me the opportunity to be drawn closer to animals and plants. With the emergence of life that has been explored, short, and occasionally profound moments linger in work without beginning or end.
They exist with peace indefinitely and originate with no beginning. The title Itinerant Beginning is implied in each work in the exhibition. Paper as a medium of transition that carries the weight of life with a rough or smooth surface. By collecting some animal hair (Wool) and plant specimens (teasel pods), their lives are reshaped on these carriers that were produced from natural fibers. Indeed, nature and immutability are the two significant elements that appear in the printed works. In the moment of their stillness, they confront our existence on these delicate papers, which leave a suspended presence by the power of their impressions.