{"id":89486,"date":"2025-09-17T16:49:20","date_gmt":"2025-09-17T20:49:20","guid":{"rendered":"https:\/\/blog.alfred.edu\/iea\/?p=89486"},"modified":"2025-10-02T12:17:54","modified_gmt":"2025-10-02T16:17:54","slug":"gary-hill-archive","status":"publish","type":"post","link":"https:\/\/blog.alfred.edu\/iea\/2025\/09\/17\/gary-hill-archive\/","title":{"rendered":"Gary Hill"},"content":{"rendered":"

[vc_row][vc_column width=”1\/1″][vc_row_inner][vc_column_inner width=”1\/2″][vc_single_image media=”89528″ media_width_percent=”100″ media_ratio=”one-one”][vc_column_text]Hill working during his 2018 iea residency.[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_column_text]Gary Hill<\/strong> has been an artist in residence with the iea in 2007, 2008, and 2018. In his 2018 residency, Hill created editions of the woodblock prints which are available for collection through ieaEditions.<\/em><\/a><\/p>\n

Hill has worked with a broad range of media \u2013 including sculpture, sound, video, installation and performance \u2013 since the early 1970s. His longtime work with intermedia continues to explore an array of issues ranging from the physicality of language, synesthesia, and perceptual conundrums to ontological space and viewer interactivity. Exhibitions of his work have been presented at museums and institutions worldwide, including solo exhibitions at the Fondation Cartier pour l\u2019art contemporain, Paris; San Francisco Museum of Modern Art; Centre Georges Pompidou, Paris; Guggenheim Museum SoHo, New York; Museum f\u00fcr Gegenwartskunst, Basel; Museu d\u2019Art Contemporani, Barcelona; and Kunstmuseum Wolfsburg, among others. Commissioned projects include works for the Science Museum in London and the Seattle Central Public Library in Seattle, Washington, and an installation and performance work for the Coliseum and Temple of Venus and Rome in Italy. Hill has received fellowships from the National Endowment for the Arts and the Rockefeller and Guggenheim Foundations and has been the recipient of numerous awards and honors, most notably the Leone d\u2019Oro Prize for Sculpture at the Venice Biennale (1995), a John D. and Catherine T. MacArthur Foundation Fellowship Award (1998), the Kurt-Schwitters-Preis (2000), and honorary doctorates from The Academy of Fine Arts Poznan, Poland (2005) and Cornish College of the Arts, Seattle, WA (2011).[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_separator][vc_row_inner][vc_column_inner width=”1\/2″][vc_single_image media=”89526″ media_width_percent=”100″][vc_column_text]#9 Fight Club<\/em>, 2018
\nWoodcut
\nSheet Size: 22 x 18 inches
\nEdition of 33
\nCollaborating Printers: Joseph Scheer, Jessica Earle & Aodi Liang[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_single_image media=”89525″ media_width_percent=”100″][vc_column_text]#4 Oracle,<\/em>\u00a02018
\nWoodcut
\nSheet Size: 22 x 18 inches
\nEdition of 30
\nCollaborating Printers: Joseph Scheer, Jessica Earle & Aodi Liang[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/1″][vc_single_image media=”89503″ media_width_percent=”100″][vc_column_text]Mask 3, Mask 2, <\/em>and Mask 1<\/em>, 2018
\nWoodcuts
\nSheet Size: 22 x 18 inches
\nEditions of 40
\nCollaborating Printers: Joseph Scheer, Jessica Earle & Aodi Liang[\/vc_column_text][vc_column_text]Hill’s work is available for purchase through ieaEditions <\/em>HERE<\/a>.[\/vc_column_text][vc_separator][vc_column_text]<\/p>\n

RESOURCES:<\/h6>\n

garyhill.com[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row]<\/p>\n","protected":false},"excerpt":{"rendered":"

[vc_row][vc_column width=”1\/1″][vc_row_inner][vc_column_inner width=”1\/2″][vc_single_image media=”89528″ media_width_percent=”100″ media_ratio=”one-one”][vc_column_text]Hill working during his 2018 iea residency.[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_column_text]Gary Hill has been an artist in residence […]<\/p>\n","protected":false},"author":8,"featured_media":89526,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[126],"tags":[],"_links":{"self":[{"href":"https:\/\/blog.alfred.edu\/iea\/wp-json\/wp\/v2\/posts\/89486"}],"collection":[{"href":"https:\/\/blog.alfred.edu\/iea\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.alfred.edu\/iea\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.alfred.edu\/iea\/wp-json\/wp\/v2\/users\/8"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.alfred.edu\/iea\/wp-json\/wp\/v2\/comments?post=89486"}],"version-history":[{"count":15,"href":"https:\/\/blog.alfred.edu\/iea\/wp-json\/wp\/v2\/posts\/89486\/revisions"}],"predecessor-version":[{"id":89740,"href":"https:\/\/blog.alfred.edu\/iea\/wp-json\/wp\/v2\/posts\/89486\/revisions\/89740"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blog.alfred.edu\/iea\/wp-json\/wp\/v2\/media\/89526"}],"wp:attachment":[{"href":"https:\/\/blog.alfred.edu\/iea\/wp-json\/wp\/v2\/media?parent=89486"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.alfred.edu\/iea\/wp-json\/wp\/v2\/categories?post=89486"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.alfred.edu\/iea\/wp-json\/wp\/v2\/tags?post=89486"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}